{"id":223,"date":"2022-03-27T22:57:33","date_gmt":"2022-03-28T02:57:33","guid":{"rendered":"https:\/\/site.ac-martinique.fr\/creole\/?page_id=223"},"modified":"2023-12-20T11:34:33","modified_gmt":"2023-12-20T15:34:33","slug":"ressources","status":"publish","type":"page","link":"https:\/\/site.ac-martinique.fr\/creole\/?page_id=223","title":{"rendered":"Ressources SAC"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">Bibliographie<\/h4>\n\n\n\n<ul class=\"wp-block-list\"><li>Musiques Cara\u00efbes, Isabelle LEYMARIE, Cit\u00e9 de la Musique, Actes Sud, 1996<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Ni noires, ni blanches: histoire des musiques cr\u00e9oles, Bertrand DICALE, Cit\u00e9 de la Musique, Philharmonie de Paris, 2017<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Musique aux Antilles [Texte imprim\u00e9] : zouk \u00e0 la mazouk \/ Maurice JALLIER, Vivette JALLIER-PRUDENT, L\u2019Harmattan, 1999<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>From vodou to zouk : a bibliographic guide to music of the French-speaking Caribbean and its diaspora \/ John GRAY, African Diaspora Press, 2011<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>H\u00e9ritage de la musique africaine dans les Am\u00e9riques et les Cara\u00efbes [Texte imprim\u00e9] \/ Festival panafricain de musique ; textes r\u00e9unis par Apha No\u00ebl MALONGA &amp; Mukala KADIMA-NZUJI pr\u00e9face de Jean-Claude GAKOSSO, L\u2019Harmattan, 2007<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>&nbsp;Musique populaire de la Guadeloupe : de la biguine au zouk, 1940-1980 \/ Edouard BENO\u00ceT, Office r\u00e9gional du patrimoine guadeloup\u00e9en ; Basse-Terre : Agence guadeloup\u00e9enne de l&rsquo;environnement, du tourisme et des loisirs, 1990<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/kolibris.univ-antilles.fr\/discovery\/fulldisplay?docid=alma991001459149705746&amp;context=L&amp;vid=33UAG_INST:33UAG_INST&amp;lang=fr&amp;search_scope=TOUTEXL&amp;adaptor=Local%2520Search%2520Engine&amp;tab=TOUT&amp;query=any,contains,edouard%2520benoit\">Des femmes carib\u00e9ennes dans les musiques traditionnelles \/ [livret r\u00e9alis\u00e9 par la m\u00e9diath\u00e8que cara\u00efbe, direction des affaires cultures et du patrimoine] Conseil g\u00e9n\u00e9ral de la Guadeloupe<\/a>, 2015<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>La conscience collective chez Patrick Saint-\u00c9loi : \u00e0 travers 30 titres de chansons \/ Viviane OKENGA, L\u2019Harmattan, 2014<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>La Musique dans la soci\u00e9t\u00e9 antillaise: 1635-1902, Jacqueline ROSEMAIN, L\u2019Harmattan, 1986<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Petite histoire de la musique antillaise, Michel BEROARD, 1997<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/kolibris.univ-antilles.fr\/discovery\/fulldisplay?docid=alma991000451369705746&amp;context=L&amp;vid=33UAG_INST:33UAG_INST&amp;lang=fr&amp;search_scope=TOUTEXL&amp;adaptor=Local%2520Search%2520Engine&amp;tab=TOUT&amp;query=any,contains,SULLY%2520CALLY\">Le grand livre des musiciens cr\u00e9oles \/ Sully Cally. Tome 1. Guadeloupe, Guyane, Martinique<\/a>, &nbsp;1996<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/kolibris.univ-antilles.fr\/discovery\/fulldisplay?docid=alma991000459999705746&amp;context=L&amp;vid=33UAG_INST:33UAG_INST&amp;lang=fr&amp;search_scope=TOUTEXL&amp;adaptor=Local%2520Search%2520Engine&amp;tab=TOUT&amp;query=any,contains,SULLY%2520CALLY\">Musiques et danses afro-cara\u00efbes : Martinique \/ Sully Cally<\/a>, 1990<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Le Zouk&nbsp;: Gen\u00e8se et repr\u00e9sentations sociales d\u2019une musique populaire, Paris, Anibwe, G\u00e9rald D\u00c9SERT, coll. \u00ab&nbsp;Liziba&nbsp;\u00bb, 2018<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>.Ti Emile lavwa b\u00e8l\u00e8, Annick Justin Joseph (scenario) et JIEL (dessins), Production \u00ab&nbsp;La Maison du b\u00e8l\u00e8&nbsp;\u00bb, Mai 2017<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Tradition DANMY\u00c9 \u2013 KALENNDA \u2013 B\u00c8L\u00c8 de Martinique Tome 1, Tibwa &amp; Tanbou d\u00e9janb\u00e9, Association AM4, K. Editions, Juillet 2012<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Tradition DANMY\u00c9 \u2013 KALENNDA \u2013 B\u00c8L\u00c8 de Martinique Tome 2, Les danses kalennda \u2013 b\u00e8l\u00e8, Association AM4, K. Editions, Mars 2014<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Les Cahiers du Patrimoine N\u00b0 double 23 &amp; 24, Le Carnaval, sources, tradition, modernit\u00e9, Octobre \u2013 D\u00e9cembre 2007<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Les Cahiers du Patrimoine N\u00b030, Aux sources de la musique martiniquaise, Octobre \u2013 D\u00e9cembre 2017<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Les Cahiers du Patrimoine N\u00b031, La Musique Martiniquaise et la Modernit\u00e9, Juin 2018<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>B\u00e8l\u00e8 li Sid, Georges-Henri L\u00c9OTIN, Editions D\u00c9ZAFI, 2010<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Chants et compositions de Loulou Boislaville, Volume 1, Jean-Luc DANGLADES, Les Cahiers de la Chanson Cr\u00e9ole, Production SOCIFAC, Janvier 1997<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Ronne Aul et Loulou Boislaville: deux grandes figures de la tradition martiniquaise, Catherine GLONDU-SELOI, KEditions, 2010<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Chansons des Antilles,Edouard BENOIT,\u00a0 Raymond\u00a0 MESPL\u00c9, CRDP Guadeloupe, 5\u00e8me \u00e9dition, 2001<\/li><\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Sitographie<\/h4>\n\n\n\n<p><strong><em>Sites<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Site de l\u2019AM4 (Association Mi Mes Manmay Matinik)<\/strong>&nbsp;: <a href=\"https:\/\/www.am4.fr\/\">https:\/\/www.am4.fr\/<\/a><\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>R\u00e9pertoire des \u0152uvres &#8211; La Sacem<\/strong>&nbsp;&nbsp;&nbsp; : <a href=\"https:\/\/repertoire.sacem.fr\">https:\/\/repertoire.sacem.fr<\/a><\/li><\/ul>\n\n\n\n<p><\/p>\n\n\n\n<p><strong><em>Articles en ligne<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Petite histoire de la biguine, par Christian BOUTANT, intervention au c\u00e9nacle du festival culturel de Fort-de-France, juillet 2020<\/li><\/ul>\n\n\n\n<p><a href=\"https:\/\/moam.info\/petite-histoire-de-la-biguine-par-christian-boutant_5982215d1723ddf156c8bc97.html\">https:\/\/moam.info\/petite-histoire-de-la-biguine-par-christian-boutant_5982215d1723ddf156c8bc97.html<\/a><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>De la biguine au jazz carib\u00e9en : Expressions cr\u00e9atives insulaires et archip\u00e9liques, Aur\u00e9lie Boutant, \u00c9rudit volume 41, num\u00e9ro 2, 2019<\/li><\/ul>\n\n\n\n<p><a href=\"https:\/\/www.erudit.org\/en\/journals\/ethno\/1900-v1-n1-ethno05402\/1070474ar.pdf\">https:\/\/www.erudit.org\/en\/journals\/ethno\/1900-v1-n1-ethno05402\/1070474ar.pdf<\/a><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Origines et ramifications diasporiques de la culture zouk, Frederic LEFRANCOIS, 2018<\/li><\/ul>\n\n\n\n<p><a href=\"https:\/\/nakanjournal.com\/origines-et-ramifications-diasporiques-de-la-culture-zouk\/\">https:\/\/nakanjournal.com\/origines-et-ramifications-diasporiques-de-la-culture-zouk\/<\/a><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>\u00ab\u00a0En Martinique, les traditions, la musique et le cr\u00e9ole f\u00e9d\u00e8rent les g\u00e9n\u00e9rations\u00a0\u00bb, Insee Analyses Martinique \u2013 N\u00b048 paru le 19\/10\/2021<\/li><\/ul>\n\n\n\n<p><a href=\"https:\/\/www.insee.fr\/statistiques\/5544035\">https:\/\/www.insee.fr\/statistiques\/5544035<\/a><\/p>\n\n\n\n<p><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Personnes et organisations-ressources (propositions)<\/h4>\n\n\n\n<ul class=\"wp-block-list\"><li>Services culturels des municipalit\u00e9s et collectivit\u00e9 territoriale<\/li><li>DAAC<\/li><li>SACEM<\/li><li>Associations : Tanbou B\u00f2 Kannal, AM4\u2026.<\/li><li>Maison du B\u00e8l\u00e8<\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Bibliographie Musiques Cara\u00efbes, Isabelle LEYMARIE, Cit\u00e9 de la Musique, Actes Sud, 1996 Ni noires, ni blanches: histoire des musiques cr\u00e9oles, Bertrand DICALE, Cit\u00e9 de la Musique, Philharmonie de Paris, 2017 Musique aux Antilles [Texte imprim\u00e9] : zouk \u00e0 la mazouk \/ Maurice JALLIER, Vivette JALLIER-PRUDENT, L\u2019Harmattan, 1999 From vodou to zouk : a bibliographic guide &hellip; <a href=\"https:\/\/site.ac-martinique.fr\/creole\/?page_id=223\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">Ressources SAC<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":241,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-223","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/site.ac-martinique.fr\/creole\/index.php?rest_route=\/wp\/v2\/pages\/223","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/site.ac-martinique.fr\/creole\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/site.ac-martinique.fr\/creole\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/site.ac-martinique.fr\/creole\/index.php?rest_route=\/wp\/v2\/users\/241"}],"replies":[{"embeddable":true,"href":"https:\/\/site.ac-martinique.fr\/creole\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=223"}],"version-history":[{"count":3,"href":"https:\/\/site.ac-martinique.fr\/creole\/index.php?rest_route=\/wp\/v2\/pages\/223\/revisions"}],"predecessor-version":[{"id":436,"href":"https:\/\/site.ac-martinique.fr\/creole\/index.php?rest_route=\/wp\/v2\/pages\/223\/revisions\/436"}],"wp:attachment":[{"href":"https:\/\/site.ac-martinique.fr\/creole\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=223"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}